I am taking part in Pathways, which is a fantastic new programme for young and emerging children’s books and comics talent in the UK.
The Pathways into children’s publishing programme is a groundbreaking new two-year illustration programme for diverse, talented and ambitious artists taught by world-class illustrators and writers, university tutors, children’s editors and art directors. Pop Up Projects has partnered with House of Illustration in the UK and secured 12 publisher and 10 university affiliates who are giving money and time to this project to support the next generation of children’s illustrators!
The project aims to increase diversity and representation in children’s books. Help them find new and ethnically diverse illustration and comics talent from across the UK!
Applications are open until September 2nd. Enourage the young people you know to take part and make sure that they see themselves in the books they create.
You can find out more on pathways-org.com, or on Instagram (@PathwaysINTO), Twitter (@PathwaysINTO) or Facebook (@PathwaysINTO)
In books for the very young say as much as possible with a few words. Illustrations have a high literary value. They really speak to the reader.
If you develop your stories with text, write freely first, then each time you revisit your story craft the maximum meaning into fewer and fewer words. If you prefer to work visually, sketch as much as possible until the images start to pick up some of the slack. The reason they are called picture books is because the words and pictures are equally important. More than that they complement each other and together create a new language.
Let’s break that down; Some people write on their own, some illustrate, some do both. Publishers can start the process from either point but tend to work with words first more often. They will read the text and then make a decision about the illustrator based on their company’s style.
Writers, your part of the book project is going to have other hands and brains joining in. It might be a good idea to write with that in mind.
Normally, illustrators are handed a text and asked to interpret it. Some of the decision-making is already done. The illustrator’s main challenge is to interpret the text in a fresh new way, to listen to the comments and guidance from the book designer or art director. Try using the rule that carpenters use: measure twice, cut once. By the time you get to producing the final piece you will have sketched all the possiblilities you can imagine.
For creators who do both, the challenge is all about discipline. It’s really hard to wite and draw at the same time! Plus you have to be honest enough to look at what youve done and say if its good enough… or not. So do one first, then the other. Repeat until you have what you want.
Everyone has a story inside them. Some of us tell it in a book or a play or on the stage, football pitch or boardroom. But most of us live our story, telling it to our loved ones, every day, year by year… the point is each story gets told and appreciated.
I have heard many wonderful stories and have learned to use the book as my medium. Let me share that way with you in a series of real-time posts, starting with an idea and ending (hopefully) with a beautiful book.
If you have thought of writing or illustrating your own book, or if you are just curious, then this real-time project will be of use before you get in touch.
All you have to do is follow the blog for regular monthly updates on the project. Please comment, spread the word and get involved!
This phrase is essential of you are travelling to or living in a West Indian neighbourhood .(that’s ‘neighorhood’ to all the Americans in the house). It means, ‘What’s going on?’ in the Marvin Gaye sense.
It has a few versions, namely Wa’ Gwaan, ‘Wa’pn’, and can be used in many situations. like the one illustrated below;
At the African Carribean market when buying your weekly supply of yams,